Peru, Chavin Rock Quartz Crystal 24" Necklace
Bi-conically drilled rock quartz crystal necklace with traces of cinnabar. The beads are graduated in size from approximately 9.22 mm to 11.17 mm. They were purchased between 1975 and 1985.
Media: Stone
Dimensions: Length: 24" inches
Price Upon Request
94049
Mexico, Chontal Green Stone Mask with eyebrows
Classic Chontal style mask with unusual depiction of the eyebrows, which are etched into the stone. Similar masks are illustrated in CHONTAL: ANCIENT STONE SCULPTURE FROM GUERRERO MEXICO, page 59, A, B, C. & page 60. There are strong root marks all over.
Media: Stone
Dimensions: Width: 6 1/4" x Height 7"
$12,000
N5021
Mexico, Classic Brown Stone Mezcala Figure of the M8 Type
This hand-held stone figure fits perfectly in the palm of the hand and bears a distinctive facial expression with round eyes and a triangular frowning mouth. The figure was created using the string-sawing technique and is made of a greenish grey stone with earth brown striations. It was highly polished. The figure has its arms to the side, represented by carved grooves, and linear carved face, which are both characteristics of Type M10 Mezcalas. The representation of human figures played an important role in Mezcala culture, including in rituals and burial sites. However, most of these figures, were used for utilitarian purposes as celts or chisels. For a reference see the Primitive Museum of Art's MEZCALA STONE SCULPTURE: THE HUMAN FIGURE, p.22-23, and MEZCALA: ANCIENT STONE SCULPTURE FROM GUERRERO MEXICO, by Carlo Gay and Frances Pratt. Ex. Gallery Hana-Tokyo, prior to 1970.
Media: Stone
Dimensions: H: 5 in. x 2.33 in.
Price Upon Request
n5057
Mexico, Classic Greenish Grey Stone Mezcala Figure of the M8 Type
This solid, hand-held stone figure fits perfectly in the palm of the hand. The figure was created using the string-sawing technique and is made of a mottled greenish-grey stone with tiny even flecks of blue- black color evenly speckled throughout. The figure has its arms to the side, represented by carved grooves, which is a classic characteristic of Type M8 Mezcalas. The representation of human figures played an important role in Mezcala culture, including in rituals and burial sites. However, most of these figures, were used for utilitarian purposes as celts or chisels. For a reference see the Primitive Museum of Art's MEZCALA STONE SCULPTURE: THE HUMAN FIGURE, p.22-23, and MEZCALA: ANCIENT STONE SCULPTURE FROM GUERRERO MEXICO, by Carlo Gay and Frances Pratt, plate 67. Ex. Gallery Hana-Tokyo, prior to 1970.
Media: Stone
Dimensions: H: 5 in. x W: 2 in.
$6,000
n5055
Mexico, Classic Grey Stone Mezcala Figure of the M10 Type
This mysterious hand-held stone figure fits perfectly in the palm of the hand and bears a serene facial expression with open mouth as if speaking. The figure was created using the string-sawing technique and is made of a dense grey stone infused with sand and miniature black striations. The figure has its arms to the side, represented by carved grooves, and simple, abstracted face, which are a classic characteristics of Type M10 Mezcalas. The representation of human figures played an important role in Mezcala culture, including in rituals and burial sites. However, most of these figures, were used for utilitarian purposes as celts or chisels. For a reference see the Primitive Museum of Art's MEZCALA STONE SCULPTURE: THE HUMAN FIGURE, p.22-23, and MEZCALA: ANCIENT STONE SCULPTURE FROM GUERRERO MEXICO, by Carlo Gay and Frances Pratt, plate 37. Ex. Gallery Hana-Tokyo, prior to 1970.
Media: Stone
Dimensions: H: 5 in. x w: 2 in.
Price Upon Request
n5056
Costa Rica, Costa Rican Green Stone Figural Celt
This figurative celt is fashioned from a beautiful deep green stone and has large ears and hands held to its chest. It would have been worn as an adornment as well as used as a shamanic amulet to ward of illness or bad spirits.
Media: Stone
Dimensions: Height 2.1/2"
$550
95050a
Costa Rica, Costa Rican Jade Harpy Eagle Deity Amulet
The harpy eagle is one of the most feared birds in Costa Rica. This translucent, speckled jade stone eagle is carved to show the wings and beak on both sides. One side is slightly convex and the other slightly concave. There is a suspension hole by the neck.
Media: Stone
Dimensions: Length 2 5/8" x Width: 3/4" Thickness 1/4"
$975
M3060
Mexico, Early Post-Classic Mayan Stucco Head Depicting a Priest
The priest’s eyes are looking down as if the head was placed high up on a wall.
Ex. collection Hana Gallery, Tokyo, prior to 1970.
Media: Stone
Dimensions: Height: 10" x Width: 8 1/2" Depth 7 1/2"
Price Upon Request
n3045
Dominican Republic, Large Taino celt carved with a face
A large ceremonial celt with a deity face and cone-shaped headdress and hands held to stomach. Similar pieces are illustrated in Herrera Fritot, Rene, Estudio De Las Hachas Antillanas (La Habana Cuba: , 1964) , 146. pages 140-144
Media: Stone
Dimensions: Length 12" x 3" (30cm x 8cm)
Price Upon Request
N1042
Mexico, Mayan Carved Limestone Relief of a Jaguar in Profile
This relief carved Mayan limestone tablet features a jaguar carved in profile with original red pigment, resembling a famous Mixtec stone stela with warriors wearing similar jaguar face masks. The tablet was exhibited in Tokyo in the Museum of Tobacco and Salt’s Animal Designs in Ancient America in February 2002 and was formerly in the collection of Hana Gallery in Tokyo prior to 1970.
Media: Stone
Dimensions: Height: 13 1/4" x Width: 15" Depth: 5 1/4"
Weight: 45 lbs
Price Upon Request
n3047
Mexico, Mayan Stucco Face of a Ruler
This Mayan ruler wears stone headdress and has carefully crafted facial features. It originates from Chiaps, Mexico, and was formerly in the collection of Hiroshi Miura in Tokyo, Japan, prior to 1970.
Media: Stone
Dimensions: Height: 11 1/2 x Width: 7" Depth: 6 1/2"
Price Upon Request
n3046
Mexico, Pair of Miniature Dark Green Jadite Mezcala Figures of the M16 Type
These miniature dark green jadite figures, male and female, bear serene facial expressions and body language. The figures were created using the string-sawing technique and are made of an extremely smooth and dark jadite native to South America, characterized by a network of deep green and blue-black veins. The figures have complex faces and arms that stand out in relief, which makes them category Type M16 Mezcalas. The representation of human figures played an important role in Mezcala culture, including in rituals and burial sites. Its rare to find a male and female made as a pair. For a reference see the Primitive Museum of Art's MEZCALA STONE SCULPTURE: THE HUMAN FIGURE, p.22-23, and MEZCALA: ANCIENT STONE SCULPTURE FROM GUERRERO MEXICO, by Carlo Gay and Frances Pratt, plate 61. Ex. Gallery Hana-Tokyo, prior to 1970.
Media: Stone
Dimensions: H: 2.5 in. x W: 1.25"
Price Upon Request
n5058
Dominican Republic, Pre-Taino Stone Double-Bitted Axe
This type of large, worked stone double-bitted axe can be assigned to the "Courian Subseries," a classification designating the period that ended some time just after the Lithic Age and just before the Ceramic Age. These large axe heads, used in combat, were strapped to a large staff with strips of leather. A similar example is illustrated and discussed in Irving Rouse’s "The Tainos: Rise and Decline of the People Who Greeted Columbus,†Yale University Press, 1992, pg. 56, fig.16d. With some natural wear.
Media: Stone
Dimensions: Width 7"
$2,250
94312
Dominican Republic, TaÁno Sandstone Three-pointer carved as Yocahú, Lord of Cazabe
Three-pointers are among the most prized objects from the Greater Antilles. Known as zemis to the anceint TaÃno, Columbus observed them placed on stools beside chiefs, and he was told they were spirits in charge of good weather and good crops and to help women in childbirth. Three-pointer zemis were fertility stones related to the rejuvenation of the earth and the populace. This three-pointer portrays a grimacing deity with his hind legs curled behind him on the other side of the sculpture. Although grimacing, skeletal faces are characteristic of TaÃno art, and when they occur on three-pointers they have been identified as Yocahú, Lord of the Sky and the patron spirit of Cazabe---yuca---the staple crop of the TaÃno. This sculpture was executed with good proportions, and the mouth and eye sockets once had inlays of shell or perhaps discs of gold. A similar example in whitish sandstone is illustrated by Jacques Kerchace, ed. in 'L'art TaÃno' (1994: 292). Jesse Fewkes, who thoroughly studied and assembled photographs of TaÃno art for the Smithsonian created a typology for three-pointers, in which this particular zemi belongs to the First Type, and his report includes a number of related examples (1907: pls. XXXV - XXXVII).
Media: Stone
Dimensions: Length 10" x Height 91/2"
$22,000
M3055
Dominican Republic, Taino Stone Ceremonial Dagger in the Form of an Iguana
A ceremonial dagger that is carved exceptionally well, with original polished surface, depicting lizard characteristics such as a long snout, prominent nostrils and deep set eyes. The back depicts a defined jaw and hind legs pulled up into the body. There are only 2 similar shaped daggers that are illustrated: One in Estudio de Las Hachas Antillanas, page 143, and and one in L'ART DES SCULPTEURS TAINOS: Chefs-d'oeuvre des grandes Antilles Précolombienes, Paris 1994, plate 86. There are also two similar daggers in the Arivelo collection in Santo Domingo that are inferior and crudely sculpted.
Media: Stone
Dimensions: Length: 11"
Price Upon Request
n8016
Panama, Veraguas Speckled Stone Pendant
This rare Veraguas anthropomorphic female bat deity bears a human body, a simian face, and bat-like ears. There is a suspension hole near each shoulder for hanging the pendant on a string. This pendant was exhibited in the Brooklyn Museum and published in the Jay Leff Collection, catalog no.500. Acquired from Sotheby's, May 12, 1983, lot 13.
Media: Stone
Dimensions: Height: 2.25"
$1,800
88048b
Bolivia, Wankarani Stone Boundry Marker
The Wankarani were adept at high altitude agriculture and were able to coax maize and Quinoa from the salty soil. The large stone markers were sculpted to look like llama heads and marked the Wankarani territory. Alan Kolata discusses the Wankarani culture in his book THE TIWANAKU, pg. 61-66 and illustrates a llama head in the Museo Baciobal de Arqueologia.
Media: Stone
Dimensions: Height 19" x Depth: 11" Weight: 80 lbs.
$25,000
N3002
